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Evidentiary Realism
About
Shows
Fridman Gallery – New York
NOME Gallery – Berlin
Artworks
The Other Nefertiti
A People’s Archive of Sinking and Melting
My Father’s FBI File, Project 4
Information of Note
Seamless Transitions
THE WHITE HOUSE 2002 GREEN WHITE
Reconnaissance
Mengele’s Skull
The Video Diaries
Comparison of 3 Art Exhibition Visitors’ Profiles
The Chase Advantage
I Thought I Was Seeing Convicts
Expanding and Remaining
George W. Bush, Harken Energy, and Jackson Stephens, c. 1979 – 91
Mary Carter Resorts Study
Monsanto Intervention
Camouflage
Artists
Nora Al-Badri & Jan Nikolai Nelles
Amy Balkin
Sadie Barnette
Josh Begley
James Bridle
Ingrid Burrington
Hans Haacke
Khaled Hafez
Jenny Holzer
Harun Farocki
Navine G Khan-Dossos
Thomas Keenan & Eyal Weizman
Mark Lombardi
Kirsten Stolle
Suzanne Treister
Texts
An Archive of Evidence
An Unfolding Interface
Can We See Torture?
Chemical Interventions
Crucial nodes designed to be ignored
Conflicting Evidence
Edges of Evidence
Ephemeral Evidence
Evidentiary Realism
How to Make a Face Appear
Infrastructural Violence
I Thought I Was Seeing…
Rendering the Evidence
The Eye of the Law
The Location of Power
The Magma of Reality
Writers
Aude Launay
Blanca de la Torre
Giulia Bini
Heather Davis
Lauren van Haaften-Schick
Jaroslav Andel
Joshua Craze
Mary Anne Redding
Natasha Hoare
Nicola Trezzi
Nijah Cunningham
Sampada Aranke
Susan Schuppli
Susanne Leeb
Susette Min
Press
13
Posted on
January 22, 2017
by
evident-admin
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Thomas Keenan & Eyal Weizman
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