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Evidentiary Realism
  • About
  • Shows
    • Fridman Gallery – New York
    • NOME Gallery – Berlin
  • Artworks
    • The Other Nefertiti
    • A People’s Archive of Sinking and Melting
    • My Father’s FBI File, Project 4
    • Information of Note
    • Seamless Transitions
    • THE WHITE HOUSE 2002 GREEN WHITE
    • Reconnaissance
    • Mengele’s Skull
    • The Video Diaries
    • Comparison of 3 Art Exhibition Visitors’ Profiles
    • The Chase Advantage
    • I Thought I Was Seeing Convicts
    • Expanding and Remaining
    • George W. Bush, Harken Energy, and Jackson Stephens, c. 1979 – 91
    • Mary Carter Resorts Study
    • Monsanto Intervention
    • Camouflage
  • Artists
    • Nora Al-Badri & Jan Nikolai Nelles
    • Amy Balkin
    • Sadie Barnette
    • Josh Begley
    • James Bridle
    • Ingrid Burrington
    • Hans Haacke
    • Khaled Hafez
    • Jenny Holzer
    • Harun Farocki
    • Navine G Khan-Dossos
    • Thomas Keenan & Eyal Weizman
    • Mark Lombardi
    • Kirsten Stolle
    • Suzanne Treister
  • Texts
    • An Archive of Evidence
    • An Unfolding Interface
    • Can We See Torture?
    • Chemical Interventions
    • Crucial nodes designed to be ignored
    • Conflicting Evidence
    • Edges of Evidence
    • Ephemeral Evidence
    • Evidentiary Realism
    • How to Make a Face Appear
    • Infrastructural Violence
    • I Thought I Was Seeing…
    • Rendering the Evidence
    • The Eye of the Law
    • The Location of Power
    • The Magma of Reality
  • Writers
    • Aude Launay
    • Blanca de la Torre
    • Giulia Bini
    • Heather Davis
    • Lauren van Haaften-Schick
    • Jaroslav Andel
    • Joshua Craze
    • Mary Anne Redding
    • Natasha Hoare
    • Nicola Trezzi
    • Nijah Cunningham
    • Sampada Aranke
    • Susan Schuppli
    • Susanne Leeb
    • Susette Min
  • Press

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Posted on February 9, 2017, Edited February 9, 2017 by evident-admin

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